Hyman Bloom is remembered as a key figure from the Boston Expressionist movement, praised for his mystical and vibrant paintings. Bloom, in addition to being a visionary artist, offers us a window into Boston’s settlement houses in the 1920s and ‘30s. The West End Community Center, and its artist-teacher Harold Zimmerman, nurtured the creativity of a generation of future artists, from Bloom to Jack Levine.
A look into the MGH archives with Lucy Ross, Archivist of the Massachusetts General Hospital.
Joseph “Bepo” Caruso came to the West End from Sicily when he was seven years old. During his rich life he served in World War II, opened an art gallery, published novels, started a film production company, and was a founder of the Committee to Save the West End.
Arguably the most famous arts facility in the world, Lincoln Center is a present-day, glittering example of American urban renewal gone wrong.
Inspired by his experiences at the West End House and Hale House, Joseph Rosen became one of the country’s leading engrossers, thanks in part to the kindness of James Jackson Storrow. He inscribed over 125,000 diplomas during his career, mainly for Harvard graduates, but he also produced honorary degrees for dignitaries such as the Roosevelt’s, Kennedy’s, and Winston Churchill. Despite his success, he never forgot the opportunities he received in the West End and found ways later in life to honor the West End House and its great benefactor.
In the mid-19th century, Mary Ann Vincent, a popular English actress, arrived in the West End to expand her career. Her reputation for kindness and charity inspired those around her and blossomed into multiple institutions founded in her name, which to this day work to support women with access to advanced healthcare.
Though her humble immigrant background set her apart from her more affluent contemporaries, West Ender Bashka Paeff became a highly regarded member of the national arts establishment.
