Like many fellow West Enders of her day, Dorothy Pastore relished an afternoon escape to the Lancaster Theater. There, neighborhood children from diverse backgrounds would join together and enjoy a break from the stresses of school and everyday life. Such experiences reinforced the notion of the West End as an urban village.
Hyman Bloom is remembered as a key figure from the Boston Expressionist movement, praised for his mystical and vibrant paintings. Bloom, in addition to being a visionary artist, offers us a window into Boston’s settlement houses in the 1920s and ‘30s. The West End Community Center, and its artist-teacher Harold Zimmerman, nurtured the creativity of a generation of future artists, from Bloom to Jack Levine.
St. Joseph’s Church was established in 1862 on Chambers Street in the West End, near the site of the first public Catholic mass in Boston. In the early 1900s, the St. Joseph’s Association, an organization of parishioners, hosted an annual party at the church which also held many notable funerals, marriages, and worship services. Decades after urban renewal, West Enders reunited at annual masses at St. Joseph’s to honor deceased fellow residents.
A lecture and tour about African American history in the West End neighborhood.
Urban renewal projects, like that in the the West End, have long promised to revitalize aging urban areas, create economic opportunities, and improve living conditions for residents. Despite these positive intentions, urban renewal has also resulted in false promises, the physical destruction of neighborhoods, and forced removal of residents. Such negative impacts have resulted in social isolation, lost social connections, and loneliness.
A look into the MGH archives with Lucy Ross, Archivist of the Massachusetts General Hospital.
As emancipated men, women, and children migrated north after the Civil War, the need for Black boarding houses increased greatly. In the West End a large concentration of Black, women-operated boarding houses became home for many of these newly-freed people.
Michael Powars carefully planned the murder of his cousin, Timothy Kennedy, but his fatal mistake was thinking that the law required an eyewitness to convict someone of a crime.
