Topic: Urban Renewal
Urban renewal, the West End Project, the North Station Project, the Government Center Project, City Hall, renewal projects in other cities
Edmund L. Mitchell: Photographer of a Changing Boston With over 5,700 photographs, the Edmund L. Mitchell Collection, now housed at the Boston Public Library, offers a snapshot of Boston and the West End in a period of transition. As an amateur photographer, Mitchell nonetheless captured the city as it became something new. Edmund Lombard Mitchell…
Boston’s urban landscape has been dramatically shaped by urban renewal initiatives of the mid-20th century. Among the most notable examples are the West End and Charlestown—two historic neighborhoods with starkly divergent urban renewal results. While the West End became the poster child for urban renewal’s destructive potential, Charlestown had a very different outcome only a few years later. This article examines these contrasting urban renewal experiences, highlighting their implementation approaches, community responses, and lasting impacts on Boston’s urban fabric.
The story of urban renewal in the West End is a complex one, marked by both ambitious plans and challenging realities when it comes to affordable housing. Over the past seventy years, the West End has served as a cautionary tale, full of broken promises and ongoing struggles for income-restricted housing. More recent efforts, such as the affordable housing initiative that is part of the redevelopment of the West End branch of the Boston Public Library, look to address this past.
From 1958 to 1960, Claudia Kelty and Stephen Edgell systematically photographed the demolition of the West End neighborhood, street by street. The Edgells continued their involvement in post-demolition West End activities, creating an (unpublished) book on the West End and becoming members of the West End Historical Committee, and later its successor, the West End Historical Association. In March of 2023, their son, Stephen Edgell Jr., donated their extensive collection to The West End Museum, including records, art, ephemera, and, most significantly, the 1,700 photographs that his parents took during the West End Project.
Charles J. “Frani” Zanfani (1922-2001), born in Boston to Italian immigrant parents, first moved to the West End with his family in the 1950s. Displaced by the West End urban renewal project to the North Slope of Beacon Hill, Frani devoted the 1960s to meticulously photographing the destruction of the neighborhood. His photographic collection, preserved at The West End Museum, offers a poignant view into Urban Renewal and its devastating effects on the community.
Scollay Square was a vibrant entertainment hub in Boston from the mid-19th century to the early 1960s, known for its burlesque theaters, comedy shows, boisterous bars, and eclectic mix of businesses. Located directly next to the West End at the intersection of Cambridge, Court, and Tremont streets, it attracted both locals and out-of-town visitors, including sailors, with its lively nightlife and commercial offerings. The area was demolished in 1962 as part of an urban renewal project, to be replaced by Government Center.
Boston’s brutalist buildings are divisive, having inspired decades of both contempt and praise. The Government Center Project and its brutalist structures are the result of, and symbols of, debates surrounding urban renewal planning in the 1950s and ‘60s. The divergence in opinions between architectural and political elites and ordinary people is illustrative of larger issues and trends related to the Urban Renewal and New Boston movements.
While the demolition of the West End began in 1958, the momentum for its destruction and for the federal urban renewal program itself began 20 years earlier, in the aftermath of the Great Depression. The Housing Act of 1949 would later mark the official birth of the federal Urban Renewal Program. Although it aimed to revitalize struggling inner cities, it often did so at the expense of established communities and displaced residents.
