Topic: African Americans
Black West Enders, other Black Americans

AbolitionAfrican AmericansImmigrant NeighborhoodNeighborhood LifeSchools & EducationSocial & Religious InstitutionsWest BostonWomen photograph of the title page of The Memoir of James Jackson by Susan Paul, published by James Loring of Boston in 1835

Susan Paul: Abolitionist, Educator and Author

Susan Paul (1809 -1841) worked as an abolitionist, educator, and author from the north slope of Beacon Hill in the West End. She fought against slavery in every aspect of her professional life through her education of African American students, the inspirational music performed by her choir, and her landmark work, The Memoir of James Jackson, the earliest known prose narrative and biography by an African American woman in the United States.

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African AmericansImmigrant NeighborhoodImmigrationNeighborhood LifeSocial & Religious InstitutionsWomen a drawing of a "H" shaped four-story masonry building with a mansard roof

The Home for Aged Colored Women

The Home for Aged Colored Women was founded in the historic West End, on the north slope of Beacon Hill in 1860. The organization’s objective was to financially support and house elderly and poor Black women being turned away from existing charitable institutions. The organization raised enough funds to build an institution that served the community through the 1940s.

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African AmericansArt & LiteratureNew BostonOtherReports & AnalysisSocial & Religious InstitutionsWomen Five women in white dresses and a man in a suit and wearing glasses

The Reddick Story: The Life of Ruthena Felton King Reddick and Ray Reddick

Raymond Reddick, a lifelong Boston resident who is now 74 years old, has spent decades collecting, documenting, and speaking to different audiences about his extensive African-American family history with deep ties to the historic West End. After his grandmother, Ruthena Felton King Reddick, passed away in 1985, Ray began his ongoing genealogical research, which started with stories from family members and countless boxes of family artifacts in his possession. Ray Reddick approached The West End Museum to collaborate on a project that highlights his nineteenth-century ancestors — West Enders and Black Bostonians — captivating lives. Northeastern University’s Reckonings project has collaborated with Reddick and The West End Museum to produce, after a series of oral history interviews, a two-part, co-created report that spotlights Ray Reddick’s family history.

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