Topic: Immigration
Immigration to the United States, first generation immigrant experiences
Rose Berger Kubitsky immigrated to the West End from Poland in the early twentieth century. In the 1930s she founded “Berger’s Deli.” On Leverett Street, the deli was known by West Enders as “Berger’s Bar” because it evolved into a tavern, where Kubitsky simultaneously worked as owner and bouncer.
The West End’s dry goods stores provide valuable insights into the economic activity of the neighborhood. With data sourced from Boston Business Directories and Barry Oshry – the son of one of the West End’s most well-known dry goods business owners – providing insights on his family business, this report explores how one of the most essential industries in industrial America fared in the West End.
Fanny Goldstein, as head librarian of the West End Branch library from 1919 to 1957, bridged the West End’s diverse communities through literary exhibits and events such as “Jewish Book Week.” Goldstein, who immigrated from Russia as a young child and resided on Joy Street, was a true West End community leader.
Chinese immigrants owned and operated laundries in the West End during the nineteenth and early twentieth centuries, an under-emphasized aspect of the historic neighborhood’s multi-racial and multi-ethnic diversity.
The West End branch of the Land League made political and financial contributions to the original Land League in Ireland, an organization of tenant farmers and Irish nationalists that resisted high rents and evictions in the 1880s.
Far from their country of origin, Ukrainian immigrants and their descendants in the West End maintained connections and advocated for justice in their mother country.
One of the West End’s most prominent settlement houses, the EPH served as a community center, education space, and more for more than half a century in the West End, and continues its work today in Somerville.
Two Italian-American West Enders fought for their legal right to live in the United States during the 1950s, with varying degrees of success. These cases reveal how the “immigrant era” of the West End continued after the 1920s, the traditional ending of that period.
