The Elizabeth Peabody House
One of the West End’s most prominent settlement houses, the EPH served as a community center, education space, and more for more than half a century in the West End, and continues its work today in Somerville.
Topic: Neighborhood Life
Street corner society, urban villagers, peer group society, life in the immigrant era
One of the West End’s most prominent settlement houses, the EPH served as a community center, education space, and more for more than half a century in the West End, and continues its work today in Somerville.
Pedestrianism, or competitive walking, was a nationally popular sport in the 1870s and 1880s. The old West End was captivated by local competitions and news of world record-breaking pedestrians such as Boston’s Frank Hart, the most successful African-American pedestrian in the 1880s.
The history of urban renewal in the West End is well-known, and locals are familiar with names of the “last West Enders” who refused to leave their neighborhood. As the aftermath of urban renewal lives with us today, there are a few ways to look at “the last” of the old neighborhood.
William K. Porter was an old West Ender who had made millions in real estate by the early twentieth century. Although Porter and his family moved to Commonwealth Avenue in 1906, he continued to manage a livery stable and all of his properties in the West End.
Leonard Nimoy was an actor best known for his iconic role as Mr. Spock on the original Star Trek. He grew up in the West End, and was trained in performance at the Elizabeth Peabody House.
Joseph Levine grew up in a Russian Jewish immigrant family in the West End, and became one of the most successful movie producers and distributors in the United States during the 1950s, 60s, and 70s.
Herbert Gans lived in the West End for eight months prior to the start of its demolition, conducting sociological research on the culture and lifestyles of the Italian-American residents of the neighborhood. His findings in “The Urban Villagers” presented a significant criticism of Boston’s urban renewal process as inhumane, and Gans notably concluded that planners were incorrect to define the West End, a vibrant community despite widespread poverty, as a slum.