The Temporary Home for Women and Children located on New Chardon Street in Boston’s West End was one of the first family shelters in the country. From its start as a small home on Charles Street, it has cared for women and children in need for over 150 years.
One of the few independent female lawyers of her day, and a staunch supporter of her community, Gladys Shapiro became one of the most influential women to emerge from the West End.
Nancy Gardner Prince’s world travel and experiences were unique for a 19th century Black woman, yet she still suffered from many of the harsh trials facing her people.
Raised in a West End home which served as a refuge for fugitive slaves, Eliza Ann Gardner learned the power of social activism at an early age. She dedicated her long life to the struggle for abolitionism, women’s rights, temperance, and still managed to run a successful business. She contributed significantly to the transformation of Black women’s roles in churches and public culture, and served as an inspiration to millions around the world, including her younger cousin, academic and civil rights leader W.E.B. DuBois.
Susan Paul (1809 -1841) worked as an abolitionist, educator, and author from the north slope of Beacon Hill in the West End. She fought against slavery in every aspect of her professional life through her education of African American students, the inspirational music performed by her choir, and her landmark work, The Memoir of James Jackson, the earliest known prose narrative and biography by an African American woman in the United States.
In the mid-19th century, Mary Ann Vincent, a popular English actress, arrived in the West End to expand her career. Her reputation for kindness and charity inspired those around her and blossomed into multiple institutions founded in her name, which to this day work to support women with access to advanced healthcare.
Though her humble immigrant background set her apart from her more affluent contemporaries, West Ender Bashka Paeff became a highly regarded member of the national arts establishment.
In 1931, just three years after its opening, the Boston Garden hosted a new sports phenomenon sweeping the East Coast; the indoor urban rodeos of the kind produced by entrepreneur and cattleman Col. W. T. Johnson. These rodeos in the West End gave eastern sports fans a rare opportunity to relish in the romanticized cowboy image of the bygone American frontier, while also enjoying skillful, and often dangerous, feats of athleticism. Fans of these rodeos were also witnesses to the emergence of professional female sports and the birth of an organized rodeo profession.
