The Leverett Street Jail in Boston’s West End held several freedom seekers whose cases tested the U.S.’s Fugitive Slave Law of 1793, including the cases of Eliza Small and Polly Ann Bates (1836), and George Latimer (1842).
From 1958 to 1960, Claudia Kelty and Stephen Edgell systematically photographed the demolition of the West End neighborhood, street by street. The Edgells continued their involvement in post-demolition West End activities, creating an (unpublished) book on the West End and becoming members of the West End Historical Committee, and later its successor, the West End Historical Association. In March of 2023, their son, Stephen Edgell Jr., donated their extensive collection to The West End Museum, including records, art, ephemera, and, most significantly, the 1,700 photographs that his parents took during the West End Project.
Charles J. “Frani” Zanfani (1922-2001), born in Boston to Italian immigrant parents, first moved to the West End with his family in the 1950s. Displaced by the West End urban renewal project to the North Slope of Beacon Hill, Frani devoted the 1960s to meticulously photographing the destruction of the neighborhood. His photographic collection, preserved at The West End Museum, offers a poignant view into Urban Renewal and its devastating effects on the community.
The original West Church, a wood-framed structure erected in 1737 at the corner of Cambridge and Lynde Streets, played a significant role in Revolutionary-era Boston. At this site, minister Jonathan Mayhew preached for civil liberties and resistance to tyranny, influencing prominent patriots such as John Adams and Paul Revere. The church was used as barracks by British troops during their occupation of the city and its steeple was destroyed by British forces in 1775. Severely damaged during the Revolutionary War, the original West Church was taken down and the current Old West Church was built in 1806.
This is a self-guided version of our Faces & Places: LGBTQ+ History in the West End walking tour. From the late nineteenth century onward, this neighborhood was a hub for LGBTQ+ people in Boston, even when much of their history and activities flew under the radar. This area featured speakeasies, raids, Boston marriages, early publication of queer literature, famous gay bars, and AIDS epidemic protests. This tour will focus on the faces and places of the queer community in the West End and how they shifted over time.
Robert Morris (1823-1882) was a prominent civil rights leader in Boston and the United States’ second African American lawyer. He built a successful career as a lawyer handling civil, criminal, and civil rights cases, while putting his life and livelihood on the line for causes he believed in: abolition, the protection of freedom seekers, the desegregation of schools, the integration of militias, equal rights for women, and fair representation for immigrants.
The Allen Street House, built in 1874 at Massachusetts General Hospital, became the center of early pathology and autopsy practices in Boston. The House’s morgue, autopsy amphitheater, and laboratories were used for experiments, research, and education. For over 80 years, it served as the symbolic and functional heart of the hospital’s pathology department, shaping both clinical knowledge and medical teaching.
The partnership of Albert Sands Southworth and Josiah Johnson Hawes revolutionized early photography in the United States, particularly through their exceptional portrait daguerreotypes. Operating from 1843 to 1861, their renowned Scollay Square studio attracted elite clientele, including prominent political, intellectual, and artistic figures, as well as many notable West Enders. Their streetscapes of Scollay Square, the West End, and other Boston neighborhoods, and their commissioned works on historic events, documented Boston during a period of physical and cultural change.
