Era: New Boston(~1950-1995)
Urban renewal, the taking, Government Center, Charles River Park, highways, bussing

Art & LiteratureNew BostonUrban Renewal A black and white photograph of a woman wearing a dress, heels, and a jacket, standing in front of a crane.

Claudia Kelty & Stephen Edgell: Photographers of the West End’s Demolition, Part II

From 1958 to 1960, Claudia Kelty and Stephen Edgell systematically photographed the demolition of the West End neighborhood, street by street. The Edgells continued their involvement in post-demolition West End activities, creating an (unpublished) book on the West End and becoming members of the West End Historical Committee, and later its successor, the West End Historical Association. In March of 2023, their son, Stephen Edgell Jr., donated their extensive collection to The West End Museum, including records, art, ephemera, and, most significantly, the 1,700 photographs that his parents took during the West End Project.

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Art & LiteratureImmigrant NeighborhoodNew BostonUrban Renewal A black and white photograph of a man standing behind a movie camera with destroyed buildings in the background.

Charles Frani: Photographers of the West End’s Demolition, Part I

Charles J. “Frani” Zanfani (1922-2001), born in Boston to Italian immigrant parents, first moved to the West End with his family in the 1950s. Displaced by the West End urban renewal project to the North Slope of Beacon Hill, Frani devoted the 1960s to meticulously photographing the destruction of the neighborhood. His photographic collection, preserved at The West End Museum, offers a poignant view into Urban Renewal and its devastating effects on the community.

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New BostonUrban Renewal A 3-D model for Boston's Government Center, showing roads and concrete buildings.

West End Brutalism

Boston’s brutalist buildings are divisive, having inspired decades of both contempt and praise. The Government Center Project and its brutalist structures are the result of, and symbols of, debates surrounding urban renewal planning in the 1950s and ‘60s. The divergence in opinions between architectural and political elites and ordinary people is illustrative of larger issues and trends related to the Urban Renewal and New Boston movements.

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City PlanningNew BostonPolitics & LawUrban Renewal "A Guide to Slum Clearance and Urban Development," which outlines Housing Act of 1949

The Creation of the US Federal Urban Renewal Program

While the demolition of the West End began in 1958, the momentum for its destruction and for the federal urban renewal program itself began 20 years earlier, in the aftermath of the Great Depression. The Housing Act of 1949 would later mark the official birth of the federal Urban Renewal Program. Although it aimed to revitalize struggling inner cities, it often did so at the expense of established communities and displaced residents.

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City PlanningNew BostonUrban Renewal Garden apartment proposal, from the Boston Redevelopment Authority’s “Urban Renewal in Mattapan,” 1962 (Boston Public Library).

The Mattapan Project: Urban Renewal That Never Happened

The Mattapan Project was first mentioned by the Boston Housing Authority in 1952 and later by the Boston Redevelopment Authority in 1962 as a possible urban renewal project. Despite the preliminary planning funding being granted in 1963 and the urban renewal application prepared in 1964, the project was dropped by the City of Boston. The delays in the Mattapan Project’s site development and the eventual abandonment of the plan helps to demonstrate the changes in public opinion on urban renewal projects of the time.

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City PlanningNeighborhood LifeNew BostonUrban Renewal Photograph of a city block of three story brick buildings with cars parked along the curb

Minot Street

The Lost Streets of the West End: Minot Street was one of the dozens of narrow, residential, West End streets razed by redevelopment in the 1950s. While the two street blocks on the northern side of the redevelopment zone were changed profoundly by urban renewal, the site’s rich history represents the constantly shifting geography of the Boston cityscape over the past two centuries.

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New BostonUrban Renewal Image of a map showing the location of buildings and titled Charles River Park

Charles River Park

Charles River Park is an apartment complex built on 45 acres of the historic West End, soon after its demolition. Jerome Rappaport, Sr., attorney for Charles River Park, Inc. and one of the corporation’s early investors, was politically connected to Mayor John Hynes, whose platform for a “New Boston” was the pretext for urban renewal. The vast majority of West Enders could not afford the luxury apartments that replaced their homes. The first tenants of Charles River Park were offered many modern, communal amenities – intended to attract young professionals and suburban families alike.

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African AmericansNeighborhood LifeNew BostonUrban Renewal Photograph of a man wearing glasses and sweater sitting in a chair and gesturing with his hands.

Richie Nedd

Richie Nedd was one of the historic West End’s Black residents and a board member of The West End Museum before his passing in 2011. Nedd’s article for the June 1998 issue of The West Ender, “A Black Man’s View of the West End,” features he and other Black residents coming together in reunions of hundreds of West Enders after urban renewal.

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