The Home for Aged Colored Women was founded in the historic West End, on the north slope of Beacon Hill in 1860. The organization’s objective was to financially support and house elderly and poor Black women being turned away from existing charitable institutions. The organization raised enough funds to build an institution that served the community through the 1940s.
Bostonians familiar with the demolition of the West End may not know how another once-prominent location in the city disappeared from the map. This spot, located on Beacon Hill, was designed for the homes of wealthy Boston families, and was established at about the same time as another famous residential location further down “the Hill.” But, unlike Louisburg Square, which is today synonymous with old Brahmin Boston, Pemberton Square remains largely forgotten, its remnants barely visible.
When the gates of the newly-built Boston Garden opened in November of 1928, ticket holders flooded in to witness a world championship match befitting a celebration surrounding the city’s new sports venue. Local boxers from Boston also had the honor of appearing that night, including a teenage amateur champ from the West End named Arthur “Hy” Diamond. Diamond was just one representative of a West End sporting culture whose fame spread far beyond the confines of this small, immigrant neighborhood.
The West End Dante Alighieri Lodge, a chapter of the Order Sons of Italy, was founded on November 28, 1926. The Order Sons of Italy reflected the values held by the West End’s Italian-American immigrant community in the early twentieth century.
Leo H. Stone of the West End founded the “Pin Money Club” after the similarly designed “Pyramid clubs” grew rapidly throughout New England in 1949. Whereas pyramid clubs were “get rich quick” schemes vulnerable to racketeering, Stone’s Pin Money Club was based on smaller payouts and legally legitimate practices.
Raymond Reddick, a lifelong Boston resident who is now 74 years old, has spent decades collecting, documenting, and speaking to different audiences about his extensive African-American family history with deep ties to the historic West End. After his grandmother, Ruthena Felton King Reddick, passed away in 1985, Ray began his ongoing genealogical research, which started with stories from family members and countless boxes of family artifacts in his possession. Ray Reddick approached The West End Museum to collaborate on a project that highlights his nineteenth-century ancestors — West Enders and Black Bostonians — captivating lives. Northeastern University’s Reckonings project has collaborated with Reddick and The West End Museum to produce, after a series of oral history interviews, a two-part, co-created report that spotlights Ray Reddick’s family history.
Raymond Reddick, a lifelong Boston resident who is now 74 years old, has spent decades collecting, documenting, and speaking to different audiences about his extensive African-American family history with deep ties to the historic West End.
Between 1845 and 1961, the Howard Anthenaeum served as a center of performances for a wide variery of clientele. Beginning its life as an upper-class theater, it became a legendary venue for minstrel shows and burlesque until it was demolished as part of the Government Center urban renewal project.
