Like many fellow West Enders of her day, Dorothy Pastore relished an afternoon escape to the Lancaster Theater. There, neighborhood children from diverse backgrounds would join together and enjoy a break from the stresses of school and everyday life. Such experiences reinforced the notion of the West End as an urban village.
Arguably the most famous arts facility in the world, Lincoln Center is a present-day, glittering example of American urban renewal gone wrong.
In the mid-19th century, Mary Ann Vincent, a popular English actress, arrived in the West End to expand her career. Her reputation for kindness and charity inspired those around her and blossomed into multiple institutions founded in her name, which to this day work to support women with access to advanced healthcare.
In an age of ongoing Puritan restrictions on theatrical shows, Moses Kimball founded the Boston Museum as a venue which bowed to the cultural aspirations and respectability of mid-19th Century Boston, but at the same time gave the people what they wanted; live performances. Before the renowned Howard Athenaeum (and later the Old Howard) had opened its doors across the square, the Boston Museum attracted large audiences to the Scollay Square area to witness music, drama, and even moral instruction on stage.
Between 1845 and 1961, the Howard Anthenaeum served as a center of performances for a wide variery of clientele. Beginning its life as an upper-class theater, it became a legendary venue for minstrel shows and burlesque until it was demolished as part of the Government Center urban renewal project.
