History
Organizational category for all historical articles

Art & LiteratureNew BostonUrban Renewal A black and white photograph of a woman wearing a dress, heels, and a jacket, standing in front of a crane.

Claudia Kelty & Stephen Edgell: Photographers of the West End’s Demolition, Part II

From 1958 to 1960, Claudia Kelty and Stephen Edgell systematically photographed the demolition of the West End neighborhood, street by street. The Edgells continued their involvement in post-demolition West End activities, creating an (unpublished) book on the West End and becoming members of the West End Historical Committee, and later its successor, the West End Historical Association. In March of 2023, their son, Stephen Edgell Jr., donated their extensive collection to The West End Museum, including records, art, ephemera, and, most significantly, the 1,700 photographs that his parents took during the West End Project.

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Art & LiteratureImmigrant NeighborhoodNew BostonUrban Renewal A black and white photograph of a man standing behind a movie camera with destroyed buildings in the background.

Charles Frani: Photographers of the West End’s Demolition, Part I

Charles J. “Frani” Zanfani (1922-2001), born in Boston to Italian immigrant parents, first moved to the West End with his family in the 1950s. Displaced by the West End urban renewal project to the North Slope of Beacon Hill, Frani devoted the 1960s to meticulously photographing the destruction of the neighborhood. His photographic collection, preserved at The West End Museum, offers a poignant view into Urban Renewal and its devastating effects on the community.

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New FieldsSocial & Religious InstitutionsWar An eighteenth century drawn map, showing streets, pastures, and a church at the corner of Cambridge and Lynde streets.

Boston’s Original West Church: A Revolutionary Meetinghouse

The original West Church, a wood-framed structure erected in 1737 at the corner of Cambridge and Lynde Streets, played a significant role in Revolutionary-era Boston. At this site, minister Jonathan Mayhew preached for civil liberties and resistance to tyranny, influencing prominent patriots such as John Adams and Paul Revere. The church was used as barracks by British troops during their occupation of the city and its steeple was destroyed by British forces in 1775. Severely damaged during the Revolutionary War, the original West Church was taken down and the current Old West Church was built in 1806.

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Immigrant NeighborhoodLGBTQ+West Boston An old street map of the North Slope of the West End of Boston. Labelled "Faces and Places" with numbers throughout the map.

Faces & Places: LGBTQ+ History in the West End

This is a self-guided version of our Faces & Places: LGBTQ+ History in the West End walking tour. From the late nineteenth century onward, this neighborhood was a hub for LGBTQ+ people in Boston, even when much of their history and activities flew under the radar. This area featured speakeasies, raids, Boston marriages, early publication of queer literature, famous gay bars, and AIDS epidemic protests. This tour will focus on the faces and places of the queer community in the West End and how they shifted over time.

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AbolitionAfrican AmericansPolitics & LawWest Boston A Black man wearing a suit stands, facing the camera, with his arm rested on a column.

Robert Morris

Robert Morris (1823-1882) was a prominent civil rights leader in Boston and the United States’ second African American lawyer. He built a successful career as a lawyer handling civil, criminal, and civil rights cases, while putting his life and livelihood on the line for causes he believed in: abolition, the protection of freedom seekers, the desegregation of schools, the integration of militias, equal rights for women, and fair representation for immigrants.

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Immigrant NeighborhoodMedicineWest Boston A black and white photograph of a nineteenth-century medical laboratory, showing microscopes, vials, and other medical instruments.

Allen Street House: Early Autopsies, Morgues, and Pathology at MGH

The Allen Street House, built in 1874 at Massachusetts General Hospital, became the center of early pathology and autopsy practices in Boston. The House’s morgue, autopsy amphitheater, and laboratories were used for experiments, research, and education. For over 80 years, it served as the symbolic and functional heart of the hospital’s pathology department, shaping both clinical knowledge and medical teaching.

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