The Elizabeth Peabody House
One of the West End’s most prominent settlement houses, the EPH served as a community center, education space, and more for more than half a century in the West End, and continues its work today in Somerville.
Topic
Organizational category for historical articles
One of the West End’s most prominent settlement houses, the EPH served as a community center, education space, and more for more than half a century in the West End, and continues its work today in Somerville.
Two Italian-American West Enders fought for their legal right to live in the United States during the 1950s, with varying degrees of success. These cases reveal how the “immigrant era” of the West End continued after the 1920s, the traditional ending of that period.
Boston stockbroker Thomas W. Lawson owned a racehorse, Boralma, who won $5000 in Kentucky’s Transylvania Stakes in 1900. The earnings were donated to the West End Nursery and Infants’ Hospital, with an amusing letter exchange between “Boralma” and “The Babies.”
Pedestrianism, or competitive walking, was a nationally popular sport in the 1870s and 1880s. The old West End was captivated by local competitions and news of world record-breaking pedestrians such as Boston’s Frank Hart, the most successful African-American pedestrian in the 1880s.
Dr. Thomas Jenks, one of Boston’s leading figures in medicine, business, and politics during the late-eighteenth century, lived in the West End for most of his life. In 1893, when Jenks chaired the Board of Public Institutions, his refusal to accept a donation of rocking chairs to the Rainsford Island hospital put him at odds with Alice Lincoln, an advocate for the poor in Boston, and Martin Lomasney, the political boss of the West End.
Massachusetts General Hospital was built in the early nineteenth century on four acres of land in the old West End called Prince’s Pasture. Many doctors and prominent citizens of Boston can be counted among its founders.
The West End Woman Suffrage League connected African-American leaders in the old West End to the larger movement for women’s suffrage in Boston, the rest of New England, and the country as a whole.
In 2015, Brian Golden, director of the BPDA, gave the City of Boston’s formal apology for the destruction of the old West End. He delivered the apology in a speech at The West End Museum, and his words continue to hold meaning for current debates about urban renewal powers in the city.