Topic: Women
Women’s issues, suffrage, girls, anyone using she/her pronouns
Founded in 1894, the Frances E. Willard Settlement House was located on the West End’s Chambers Street for nearly five decades. The Settlement House aimed to serve the neighborhood’s immigrant population and factory workers by offering social services, community clubs, and housing to young women and children.
For almost twenty-five years, the Leverett Street Almshouse dominated Barton’s Point, a blunt strip of land jutting out from the West End into the Charles River. In this building, designed by Charles Bulfinch, Boston continued to carry out its tradition of housing and caring for its most needy residents.
Ruth Roman (1922-1999) was raised in the West End, her Jewish-Lithuanian family moving from tenement to tenement. Her fledgling interest in acting was nurtured at the Elizabeth Peabody Settlement House in the West End, where Ruth’s flare for the dramatics led to leading roles at its playhouse. While she is today remembered as a Hollywood film star – with standout roles in Lightning Strikes Twice (1951), Strangers on a Train (1951), and Tomorrow Is Another Day (1951) – the roots of her career can be found in the West End neighborhood.
At the turn of the century, “Boston marriages” enabled women to live independently from men. These relationships were common among educated female employees of settlement houses in Boston and in the greater United States. In the West End, evidence for these relationships can be found among the literary women of the period.
Harriet Hayden was born enslaved, fought for her freedom, and aided hundreds of southern escapees by housing, feeding, and protecting them. She did this all while raising a family, running a boarding house, learning to read and write, and becoming an activist and community leader. Without her efforts, the many accomplishments of her husband, Lewis Hayden, would not have been possible.
Elizabeth Palmer Peabody, educator, publisher, reformer, and namesake of the West End’s Elizabeth Peabody House, was one of the most important figures in Boston’s 19th-century intellectual community. Of all her achievements, perhaps her most impactful was the introduction of English-language kindergartens to the United States.
Like many fellow West Enders of her day, Dorothy Pastore relished an afternoon escape to the Lancaster Theater. There, neighborhood children from diverse backgrounds would join together and enjoy a break from the stresses of school and everyday life. Such experiences reinforced the notion of the West End as an urban village.
As emancipated men, women, and children migrated north after the Civil War, the need for Black boarding houses increased greatly. In the West End a large concentration of Black, women-operated boarding houses became home for many of these newly-freed people.
