Era: West Boston(~1780-1880)
Black Community on Beacon Hill, Brahmins on the flat
For almost twenty-five years, the Leverett Street Almshouse dominated Barton’s Point, a blunt strip of land jutting out from the West End into the Charles River. In this building, designed by Charles Bulfinch, Boston continued to carry out its tradition of housing and caring for its most needy residents.
The Allen Street House, built in 1874 at Massachusetts General Hospital, became the center of early pathology and autopsy practices in Boston. The House’s morgue, autopsy amphitheater, and laboratories were used for experiments, research, and education. For over 80 years, it served as the symbolic and functional heart of the hospital’s pathology department, shaping both clinical knowledge and medical teaching.
The partnership of Albert Sands Southworth and Josiah Johnson Hawes revolutionized early photography in the United States, particularly through their exceptional portrait daguerreotypes. Operating from 1843 to 1861, their renowned Scollay Square studio attracted elite clientele, including prominent political, intellectual, and artistic figures, as well as many notable West Enders. Their streetscapes of Scollay Square, the West End, and other Boston neighborhoods, and their commissioned works on historic events, documented Boston during a period of physical and cultural change.
Charles Sumner (1811-1874) was a lawyer and United States Senator who was a vocal abolitionist and civil rights advocate. He was born and lived most of his life on the North Slope of Beacon Hill, where he had close connections with the Black and abolitionist community.
James Bowdoin II, scientist, politician, businessman and the namesake of the West End’s Bowdoin Square, embodied the powerful gentry class of his day.
In the late 1840s, Americans began to flock to the Spiritualist movement. Boston’s middle and upper class, in particular, became enthralled with Spiritualism, and the city became a center for séances, mediums, and spiritualist newspapers from the 1850s to the mid-1920s.
Entrepreneur Christiana Carteaux Bannister and artist Edward Mitchell Bannister married in Boston’s West End in 1857. Throughout the 1850s and 1860s, they were active in Boston’s abolitionist and artistic communities. During these years and beyond, their symbiotic financial and creative partnership helped to bolster both of their careers and their community connections.
The African Meeting House, believed to be the oldest standing Black church in America, was incorporated in 1805 and built in 1806. The building, now restored to its 1855 appearance, stands as a testament to the dedication and perseverance of the Black community on the north slope of Beacon Hill (which was at the time part of the West End). The African Baptist Church purchased the land for, fundraised for, and constructed the Meeting House in less than two years. Through this, they created a vital space for the Black community’s religious, political, and social gatherings.
