Era: West Boston(~1780-1880)
Black Community on Beacon Hill, Brahmins on the flat

AbolitionAfrican AmericansImmigrant NeighborhoodNeighborhood LifeSchools & EducationSocial & Religious InstitutionsWest BostonWomen photograph of the title page of The Memoir of James Jackson by Susan Paul, published by James Loring of Boston in 1835

Susan Paul: Abolitionist, Educator and Author

Susan Paul (1809 -1841) worked as an abolitionist, educator, and author from the north slope of Beacon Hill in the West End. She fought against slavery in every aspect of her professional life through her education of African American students, the inspirational music performed by her choir, and her landmark work, The Memoir of James Jackson, the earliest known prose narrative and biography by an African American woman in the United States.

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BusinessImmigrant NeighborhoodModernNew BostonTransportation & IndustryWest BostonYankees & Brahmins Photograph of a ten story brick and glass building along a body of water and dock with a sign at the top that says "Converse"

Converse Businesses in the West End

In 2015 Converse Inc. moved its world headquarters to Lovejoy Wharf in the West End. Its 214,000 square foot facility was a major part of an effort to rejuvenate the former industrial area bordering the Charles River and the North End. This was, however, not the first time a business founded by members of the Converse family chose the West End as an advantageous place to set up business.

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BusinessCity PlanningTransportation & IndustryWest Boston Photograph of a row of multi-story brick buildings with a dug out area of earth framed by wooden boards with workmen around it.

The Middlesex Canal: Massachusetts’ First Big Dig

Two hundred years before construction began on the Ted Williams tunnel, businessmen in post-revolution Boston sought to improve upon dirt and gravel paths used to bring inland goods to the growing port city. The result not only helped New England become an economic driver in the early 19th century, but acted as a blueprint for future engineering endeavors in the young United States of America.

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ImmigrationNeighborhood LifeSocial & Religious InstitutionsWest Boston Photograph of a bronze plaque mounted to a wall with following words: October 1788, October 1973, IN GRATITUDE TO ALMIGHTY GOD, FOR THE FIRST MASS OFFERED IN THE WEST END OF BOSTON, ON GREEN STREET (VERY CLOSE TO THIS EXACT SITE) AT THE HOME OF M. BAURY, ON SUNDAY, OCTOBER 19, 1788 BY L’ABBE DE POTERIE. THIS PLAQUE WAS GIVEN IN GRATEFUL REMEMBRANCE BY: REV. GERALD L. BUCKE P.P. & THE JACKMAN FAMILY

The West End Hosts the First Catholic Service in Boston

After centuries of exclusion by Boston’s ruling Puritan leaders, Roman Catholics were finally allowed to officially practice their faith in Massachusetts in 1780. Led by French Catholics, the movement to establish a Catholic community in Boston is reported to have started with a private mass in the West End. This was the first step in establishing what would become one of the most recognized Catholic archdiocese in America.

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Immigrant NeighborhoodModernNew BostonTransportation & IndustryWest Boston A grand arch adjoining two long buildings and a gothic structure. People, horses and street cars are shown in the foreground.

The Many Faces of North Station

For tens of thousands of daily commuters, North Station is a final destination to work and a starting point for home. For many others, it is a stop along the way to somewhere else. But few of today’s commuters know that over the past two centuries, there have actually been several train stations in the West End– built in grand style – that predated the North Station we know today.

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Art & LiteratureImmigrant NeighborhoodNeighborhood LifeSocial & Religious InstitutionsWest Boston Photograph of a long four story stone building with store fronts on the street level

The Boston Museum: A Pioneer in Boston’s Early Live Entertainment Scene

In an age of ongoing Puritan restrictions on theatrical shows, Moses Kimball founded the Boston Museum as a venue which bowed to the cultural aspirations and respectability of mid-19th Century Boston, but at the same time gave the people what they wanted; live performances. Before the renowned Howard Athenaeum (and later the Old Howard) had opened its doors across the square, the Boston Museum attracted large audiences to the Scollay Square area to witness music, drama, and even moral instruction on stage.

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