Nancy Gardner Prince
Nancy Gardner Prince’s world travel and experiences were unique for a 19th century Black woman, yet she still suffered from many of the harsh trials facing her people.
Topic: Art & Literature
Art, fine arts, artists, books, film, authors, actors, other creative forms
Nancy Gardner Prince’s world travel and experiences were unique for a 19th century Black woman, yet she still suffered from many of the harsh trials facing her people.
Inspired by his experiences at the West End House and Hale House, Joseph Rosen became one of the country’s leading engrossers, thanks in part to the kindness of James Jackson Storrow. He inscribed over 125,000 diplomas during his career, mainly for Harvard graduates, but he also produced honorary degrees for dignitaries such as the Roosevelt’s, Kennedy’s, and Winston Churchill. Despite his success, he never forgot the opportunities he received in the West End and found ways later in life to honor the West End House and its great benefactor.
In the mid-19th century, Mary Ann Vincent, a popular English actress, arrived in the West End to expand her career. Her reputation for kindness and charity inspired those around her and blossomed into multiple institutions founded in her name, which to this day work to support women with access to advanced healthcare.
Though her humble immigrant background set her apart from her more affluent contemporaries, West Ender Bashka Paeff became a highly regarded member of the national arts establishment.
In an age of ongoing Puritan restrictions on theatrical shows, Moses Kimball founded the Boston Museum as a venue which bowed to the cultural aspirations and respectability of mid-19th Century Boston, but at the same time gave the people what they wanted; live performances. Before the renowned Howard Athenaeum (and later the Old Howard) had opened its doors across the square, the Boston Museum attracted large audiences to the Scollay Square area to witness music, drama, and even moral instruction on stage.
Bostonians familiar with the demolition of the West End may not know how another once-prominent location in the city disappeared from the map. This spot, located on Beacon Hill, was designed for the homes of wealthy Boston families, and was established at about the same time as another famous residential location further down “the Hill.” But, unlike Louisburg Square, which is today synonymous with old Brahmin Boston, Pemberton Square remains largely forgotten, its remnants barely visible.
Raymond Reddick, a lifelong Boston resident who is now 74 years old, has spent decades collecting, documenting, and speaking to different audiences about his extensive African-American family history with deep ties to the historic West End. After his grandmother, Ruthena Felton King Reddick, passed away in 1985, Ray began his ongoing genealogical research, which started with stories from family members and countless boxes of family artifacts in his possession. Ray Reddick approached The West End Museum to collaborate on a project that highlights his nineteenth-century ancestors — West Enders and Black Bostonians — captivating lives. Northeastern University’s Reckonings project has collaborated with Reddick and The West End Museum to produce, after a series of oral history interviews, a two-part, co-created report that spotlights Ray Reddick’s family history.
Between 1845 and 1961, the Howard Anthenaeum served as a center of performances for a wide variery of clientele. Beginning its life as an upper-class theater, it became a legendary venue for minstrel shows and burlesque until it was demolished as part of the Government Center urban renewal project.