Topic: Social & Religious Institutions
Settlement houses, churches, almshouses, women’s shelters, synagogues, priests, social workers

BusinessCity PlanningImmigrant NeighborhoodPolitics & LawSchools & EducationSocial & Religious InstitutionsSportsTransportation & IndustryUrban Renewal Magazine cover with the words 1915 New Boston written across the top and above a scene of the city of Boston viewed from the harbor with boats and people in the foreground and framed by two large pillars topped with birds with out-stretched wings

The Boston-1915 Movement and the West End

The Boston-1915 Committee was formed in 1909 to improve conditions in Boston and to make it “the finest city in the world” by 1915. For many West Enders, Boston-1915 represented the promise of a brighter future, but none of them could have foreseen that some of the movement’s ideas would inspire city leaders to demolish the West End half a century later.

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Art & LiteratureImmigrant NeighborhoodNeighborhood LifeSocial & Religious InstitutionsWest Boston Photograph of a long four story stone building with store fronts on the street level

The Boston Museum: A Pioneer in Boston’s Early Live Entertainment Scene

In an age of ongoing Puritan restrictions on theatrical shows, Moses Kimball founded the Boston Museum as a venue which bowed to the cultural aspirations and respectability of mid-19th Century Boston, but at the same time gave the people what they wanted; live performances. Before the renowned Howard Athenaeum (and later the Old Howard) had opened its doors across the square, the Boston Museum attracted large audiences to the Scollay Square area to witness music, drama, and even moral instruction on stage.

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African AmericansImmigrant NeighborhoodImmigrationNeighborhood LifeSocial & Religious InstitutionsWomen a drawing of a "H" shaped four-story masonry building with a mansard roof

The Home for Aged Colored Women

The Home for Aged Colored Women was founded in the historic West End, on the north slope of Beacon Hill in 1860. The organization’s objective was to financially support and house elderly and poor Black women being turned away from existing charitable institutions. The organization raised enough funds to build an institution that served the community through the 1940s.

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African AmericansArt & LiteratureNew BostonOtherReports & AnalysisSocial & Religious InstitutionsWomen Five women in white dresses and a man in a suit and wearing glasses

The Reddick Story: The Life of Ruthena Felton King Reddick and Ray Reddick

Raymond Reddick, a lifelong Boston resident who is now 74 years old, has spent decades collecting, documenting, and speaking to different audiences about his extensive African-American family history with deep ties to the historic West End. After his grandmother, Ruthena Felton King Reddick, passed away in 1985, Ray began his ongoing genealogical research, which started with stories from family members and countless boxes of family artifacts in his possession. Ray Reddick approached The West End Museum to collaborate on a project that highlights his nineteenth-century ancestors — West Enders and Black Bostonians — captivating lives. Northeastern University’s Reckonings project has collaborated with Reddick and The West End Museum to produce, after a series of oral history interviews, a two-part, co-created report that spotlights Ray Reddick’s family history.

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